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The High End of Low (Deluxe Edition)

The High End of Low (Deluxe Edition)

Other Views:
Artist: Marilyn Manson
Label: Interscope Records
Category: Music

List Price: $21.98
Buy Used: $7.56
as of 3/19/2010 01:20 PDT details
You Save: $14.42 (66%)



New (29) from $14.52

Seller: ET4LESS_NC
Rating: 3.5 out of 5 stars 112 reviews
Sales Rank: 11101

Format: Deluxe Edition
Media: Audio CD
Discs: 2
Shipping Weight (lbs): 0.3
Dimensions (in): 5.6 x 5 x 0.5

MPN: 001297772
UPC: 602527063881
EAN: 0602527063881
ASIN: B0026IZRCA

Release Date: May 26, 2009
Availability: Usually ships in 1-2 business days

Tracks:

  • Devour
  • Pretty as a ($)
  • Leave a Scar
  • Four Rusted Horses
  • Arma-goddamn-motherfuckin-geddon
  • Blank and White
  • Running to the Edge of the World
  • I Want to Kill You Like They Do In the Movies
  • WOW
  • Wight Spider
  • Unkillable Monster
  • We're From America
  • I Have to Look Up Just to See Hell
  • Into the Fire
  • 15
  • Arma-goddamn-motherfuckin-geddon (Teddy Bears remix)
  • Leave a Scar (Alternate Version)
  • Running to the Edge of the World (Alternate Version)
  • Wight Spider (Alternate Version)
  • Four Rusted Horses (Opening Titles Version)
  • I Have to Look Up Just to See Hell (Alternate Version)

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Editorial Reviews:

Album Description
DELUXE EDITION - CONTAINS SIX BONUS TRACKS!

Marilyn Manson's anticipated reunion with longtime friend and foil Twiggy Ramirez inches closer with the release of "We're From America," the first listen from the forthcoming The High End of Low. The album's official first single "Arma... geddon" will arrive at radio Spring 2009. Manson's new lineup including Ramirez (for the first time in close to a decade), plus keyboardist Chris Vrenna, and dummer Ginger Fish, will close the main stage at the Rockstar Energy Drink Mayhem Festival, this July through August. Manson will also kick off his world tour with a headline festival run this June in Europe

Produced by Manson, Vrenna,and Twiggy, The High End of Low was recorded in his Hollywood Hills studio and also features the track, "I Want to Kill You Like They Do In The Movies." Manson says of the new album, "I think my life definitely ended and began. The record sounds very final, but it's almost optimistic - though that feels like a strange word to use. It's a phoenix from the fire and a redemption resurrection."

Since emerging from South Florida (in the early 1990s), Marilyn Manson has continued to upend the mainstream with each new release. The tumultuous relationship Manson has cultivated with the public worldwide has resulted in multi-million records sales, sold-out tours, protests, legal battles, hate, adoration, award-winning distilled spirits (Mansinthe) and most importantly, a long list of some of the most enduring and genre-defying music in the rock era ("Lunchbox," "Sweet Dreams," "The Beautiful People," "Tourniquet," "The Dope Show," "This Is The New Shit," "Mobscene," "Heart-Shaped Glasses,"etc.) The new era of Marilyn Manson and The High End of Low begins now.

Album Description
EXPLICIT. Limited two CD edition of the 2009 release, the seventh studio album from one of the biggest Rock superstars on the planet includes a bonus six track CD. The album as a whole is a triumph, with Manson also exploring his more introspective side. The album marks the highly anticipated reunion with longtime friend and foil Twiggy Ramirez, together for the first time in nearly a decade. Produced by Manson, Vrenna and Twiggy, The High End Of Low was recorded in his Hollywood Hills studio. Manson says of the new album, "I think my life definitely ended and began. The record sounds very final, but it's almost optimistic - though that feels like a strange word to use. It's a phoenix from the fire and a redemption resurrection."


Customer Reviews:
Showing reviews 1-5 of 112
1 2 3 4 5 6 ...23Next »



3 out of 5 stars The High End of Low   March 16, 2010
Bjorn Viberg (European Union)
The High End of Low being Manson's 7th studio album and is nothing more then a standard rock album with a slight edge. Having never listened to a Manson album I did not come in with any expectations but I must say that I was left with a feeling of being slightly disapointed. The sound is not especially avantgarde and his chock value seems mostly to be on the surface. All the lyrics are included in the booklet and one also gets some photographs of Manson from when the album was recorded. Allmusic and Rolling Stone gave them album 3/5 and 2.5 respectively. 3/5.


2 out of 5 stars Manson does Emo   February 18, 2010
Necronomicona (Somewhere, USA)
1 out of 1 found this review helpful

such a sad waste. the talent manson has is phoniminal, but it seems he's lost his edge. I'm all for artists experimenting with different sounds, but this is a bit much. the last two albums it seems, he's taken the route of goth without the metal. and goth without the metal is nothing more than emo. if you're looking for the old, heavy manson, i suggest you listen to Dethklok instead. If you're into more mello-dramatic, slow, and softer, than by all means, listen away. I can't digest it when i've got Cake and Sodomy to listen to. I think that after a dozen albums bands run out of good music to create, and i'd rather stop putting out albums, than put out crap just to keep albums comming out.....We're from America is the best song on the album, but sadly, no where near as good as many of his other songs.


5 out of 5 stars The Prince Of Darkness 2012   February 9, 2010
K. Gonzalez
the album was incredable, i found it to be interesting, and also know the fact that twiggy is back!!! Thats just awesome... and who ever doughted manson,LOL Manson Keep bringing out more darker albums like ANTICHRIST SUPERSTAR CHPT. 2!!! Thats what were all WAITING FOR COMMON ALLREADY B4 ITS 2 LATE!!!


4 out of 5 stars deserving of several listens before one passes judgment   February 2, 2010
a reader (the District of Columbia)
I've never been blown away by MM's overall body of work, but do consider Antichrist and Mechanical to be among the best "electric rock" LPs of the last couple of decades. Warner always struck me as staying true to the course and not living a lie, unlike A. Cooper to whom he is so often compared in the most misguided of ways. This latest release is clearly the closest the band has come to either of their past two masterpieces--hands down. These three are the definitive MM catalogue, all similar in some ways, yet all unique of course. Much is made of White's return, and I for one can certainly hear and feel his presence. He is a dynamic force in any recording studio, playing bass or guitar tracks, or even just being involved. I haven't noticed many tour dates in support of this fine record, and perhaps that, and not the album's reviews or sales figures, is the real sign of the times. If this was to be their last album (and I doubt very seriously that it is), Brian and the Boys certainly go out on a high note, rarely if ever deviating from the stunningly visual and artistic course that they set for themselves, and all the while backing it up with top-tier musicianship with a noticeable amount of understanding of actual music theory--feats probably never before done by bands in this genre, including Bowie.


1 out of 5 stars ALMOST As Bad As "Eat Me, Drink Me"   February 1, 2010
Hsxeric (Michigan)
In 2008, M.M. came out and stated that he was working on a new album that would mark the return to his roots in industrial, pissed-off goth-rock that was entirely absent from his horrid 2007 effort Eat Me, Drink Me. I don't know if he lost his mind or simply has gotten older, but this "return" to his old sound is more than a little off. It sounds closer to Eat Me, Drink Me than anything from Holy Wood or Antichrist Superstar. I guess I can't blame the guy for getting sick of the same sound after all these years, but I do blame him for leading everyone on into thinking he was returning to the Marilyn Manson that we all know and remember - screaming "Fight!", lighting fire to the American flag, and shoving microphones into more than a few orifices of his female stage companions. Regardless, the album's songwriting is pretty crappy, which might have saved it from such a non-Manson sound. I fear this is the end of our rebellious hero. It's only a matter of time until he becomes Alice Cooper, part II (hint: your dad's shock rock icon).

Showing reviews 1-5 of 112
1 2 3 4 5 6 ...23Next »


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